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Jeshua Marshall is a musical troubadour, with 18 years of experience writing, playing, singing and touring original music with Larry And His Flask and as a solo artist. He has performed in every state in the U.S., every province in Canada, 15 countries in Europe, and Palestine.  

Jeshua is a multi instrumentalist singer and songwriter. He channels pure punk rock passion from the records that spoke to him years ago as a kid in small town with big dreams. 

He took the DIY ethos to heart and is now set to self release his first solo album this fall, titled Shoot the Moon. With production and drums from Todd Rosenberg of Mad Caddies, Shoot the Moon is a collaborative masterpiece. The title track features Fredo Ortiz from Beastie Boys and Gogol Bordello. "No More", Jeshua's protest anthem, features Pedro Erazo from Gogol Bordello.

Jeshua continues to work tirelessly to bring original meaningful music to the world. Check out his singles wherever you stream tunes.

Thanks for listening!

Jeshua Marshall is known and loved for his energetic theatrics and genre-bending musical genius. 

- The Source Weekly    

Fast-paced and loaded with equal parts organic and distorted sound design, Jeshua Marshall injects a heavy hit of rhythm and anthem-like energy into the scene with this infectious and striking new single No More. Drawing subtle comparisons style-wise with the likes of Rusted Root as much so as Cat Empire and even The Hives to an extent, the song soon goes on to further increase its brightness with a conceptual writing style that draws on precisely the issues that have torn apart societies and the lives of many; culminating in a plethora of riots and divide across America in 2020. No More underlines its intentions in multiple ways, not least of all the lyrics. First we get this punk-esque, single-note declaration that draws in the high-energy rock fans for a quick moment of unity and consideration. The latter half, however, evolves into a reggae aura that sees the pace, set-up, and lead vocal switch gears. All the while, references to police brutality echo out from amidst the likable bounce of the track and performance – keeping listeners united both for the good vibes and the uproar and sadness at the heart of the work. On the surface, this is simply a great track – built from natural musical layers, quickly prompting interest in a live show; a festival performance would likely be superb. Underneath this, we get a clear sense of intention and topical poignancy.Brilliant. 

Well worth a listen.- Stereo Stickman